{"id":6,"date":"2022-04-08T14:36:32","date_gmt":"2022-04-08T14:36:32","guid":{"rendered":"https:\/\/inbetweensilence.ie\/?page_id=6"},"modified":"2024-05-12T17:11:36","modified_gmt":"2024-05-12T17:11:36","slug":"the-story-tellers","status":"publish","type":"page","link":"https:\/\/inbetweensilence.ie\/?page_id=6","title":{"rendered":"The Story Tellers"},"content":{"rendered":"\n

We are committed to giving voice to the usually unheard by playing their stories alongside those from well known writers and artists. Contributors will be heard on their terms, their words will not be edited. They will not be spoken about, they will speak for themselves. The only direction to the storyteller is to relate an event or moment in their life that is significant to them. The music subtly underpins the story as it\u2019s being told, in an unconscious way, enabling the person to speak from deep within themselves and seems to unlock a deep emotional response.<\/p>\n\n\n\n

<\/div>\n\n\n\n

“Normally I don\u2019t trust my words until I put them on paper and examine them, and rearrange them, and examine them again. I worry the words<\/em> until I believe that the story I want to tell is worth reading. That was why working with Stano was such an extraordinary experience. I just stood in front of a microphone and, for a few minutes, told a story. I\u2019d nothing planned, except the bare plot \u2013 which didn\u2019t need work because I was describing something that I had witnessed. I was letting the words flow, because I trusted Stano. I knew he\u2019d do something interesting with him.<\/em><\/p>\n\n\n\n

Then, months later, hearing \u2013 watching \u2013 what Stano had done; it was wonderful, deeply moving, hugel<\/em>y satisfying. <\/em><\/p>\n\n\n\n

Thank you, Stano<\/em>.”<\/p>\n\n\n\n

RODDY DOYLE, WRITER<\/strong><\/em><\/p>\n\n\n\n

<\/div>\n\n\n\n

“THE NATIONAL MUSEUM OF IRELAND SEPT 4 2016 \u201cI LISTENED TO BRIAN PALMS STORY AND WITHIN 90 SECONDS OF IT I KNEW THAT I TRUSTED STANO IMPLICITLY AND THAT SENSE OF TRUST IS SO IMPORTANT. YOU DON\u2019T ALWAYS TRUST PEOPLE AND PARTICULARLY WHEN YOU\u2019RE A WRITER, BECAUSE YOU\u2019RE DEALING WITH PRODUCERS AND PEOPLE ARE TRYING TO MAKE YOU SAY THINGS IN A CERTAIN WAY AND THERE WAS A SENSE THAT HERE WAS SOMEBODY WHO WAS OPENING UP THIS SPACE WHERE YOU COULD SAY WHAT YOU WANTED TO SAY. WITH THIS PROJECT, STANO IS PRODUCING A RESERVOIR OF STORIES OF OUR LIVES, OF WHAT IT\u2019S LIKE TO BE IN THE WORLD.<\/em>“<\/p>\n\n\n\n

DERMOT BOLGER \u2013 WRITER<\/strong><\/em><\/p>\n\n\n\n

\n
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Tomi Reichental<\/figcaption><\/figure>\n\n\n\n
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James Hanly<\/figcaption><\/figure>\n\n\n\n
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Brian Kennedy<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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Roddy Doyle<\/strong><\/figcaption><\/figure>\n\n\n\n
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Anne Enright<\/strong><\/figcaption><\/figure>\n\n\n\n
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Dermot Bolger<\/strong><\/figcaption><\/figure>\n\n\n\n
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Joseph O’Connor<\/strong><\/figcaption><\/figure>\n\n\n\n
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Aidan Gillen<\/strong><\/figcaption><\/figure>\n\n\n\n
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Paula Meehan<\/strong><\/figcaption><\/figure>\n\n\n\n
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John Minihan<\/strong><\/figcaption><\/figure>\n\n\n\n
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Brian Keenan<\/strong><\/figcaption><\/figure>\n\n\n\n
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Marie Howe<\/strong><\/figcaption><\/figure>\n\n\n\n
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Mike Garry<\/strong><\/figcaption><\/figure>\n\n\n\n
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Vanessa Ronan<\/strong><\/figcaption><\/figure>\n\n\n\n
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Damien Dempsey<\/strong><\/figcaption><\/figure>\n\n\n\n
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Theo Dorgan<\/strong><\/figcaption><\/figure>\n\n\n\n
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Robert Ballagh<\/strong><\/figcaption><\/figure>\n\n\n\n
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Malachy McCourt<\/strong><\/figcaption><\/figure>\n\n\n\n
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John Duffy<\/strong><\/figcaption><\/figure>\n\n\n\n
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Wilson Moran, Lesley Horwitz<\/strong><\/figcaption><\/figure>\n\n\n\n
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Mary Stokes<\/strong><\/figcaption><\/figure>\n\n\n\n
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Conor Linehan<\/strong><\/figcaption><\/figure>\n\n\n\n
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Greg Nannup<\/strong><\/figcaption><\/figure>\n\n\n\n
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Patrick Bergin<\/strong><\/figcaption><\/figure>\n\n\n\n
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Lorcan Walshe<\/strong><\/figcaption><\/figure>\n\n\n\n
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Donald Teskey scribing a cover for the porcelain book<\/strong><\/figcaption><\/figure>\n\n\n\n
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Damien Dempsey<\/strong><\/figcaption><\/figure>\n\n\n\n
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Tony Curtis<\/strong><\/figcaption><\/figure>\n\n\n\n
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Nermin<\/strong><\/figcaption><\/figure>\n\n\n\n
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Dennis Driscoll<\/strong><\/figcaption><\/figure>\n\n\n\n
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Melissa Sadbh NiNuaillain<\/strong><\/figcaption><\/figure>\n\n\n\n
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Alyssa Hinton<\/strong><\/figcaption><\/figure>\n\n\n\n
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Honor Molloy<\/strong><\/figcaption><\/figure>\n\n\n\n
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Roisin McCannon<\/strong><\/figcaption><\/figure>\n\n\n\n
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Olaf Tyaransen<\/strong><\/figcaption><\/figure>\n\n\n\n
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Nicky Kelly<\/strong><\/figcaption><\/figure>\n\n\n\n
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Danny Morrison<\/strong><\/figcaption><\/figure>\n\n\n\n
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Sean Coleman<\/strong><\/figcaption><\/figure>\n\n\n\n
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Jim Jermanok<\/strong><\/figcaption><\/figure>\n\n\n\n
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Colm Hassett<\/strong><\/figcaption><\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
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Ronan Wilmot<\/strong><\/figcaption><\/figure>\n\n\n\n
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Kevin Pierce, Stano Brian Palm<\/strong><\/figcaption><\/figure>\n\n\n\n
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Antonio Mazzella<\/figcaption><\/figure>\n\n\n\n
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Giancarlo Mazzella<\/figcaption><\/figure>\n\n\n\n
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Robert Eggington<\/figcaption><\/figure>\n\n\n\n
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Selina Eggington<\/figcaption><\/figure>\n\n\n\n
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Kavisha Mazzella<\/figcaption><\/figure>\n\n\n\n
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Sandra Adams<\/figcaption><\/figure>\n\n\n\n
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Dennis Driscoll & Stano
(Innwood NYC)<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

“IT\u2019S A KIND OF A PARADOX. STANO HAS BROUGHT US TO THE CINEMA TO LISTEN TO STORIES AND LOOK AT NOTHING, BUT OF COURSE YOU\u2019RE NOT LOOKING AT NOTHING, YOU\u2019RE LOOKING AT SOMETHING THAT\u2019S INSIDE THE WHOLE IMAGINATIVE SPACE OF YOUR OWN CONSCIOUSNESS. THERE\u2019S AN IMAGE AT THE END OF EACH PIECE SO YOU DO GET A LITTLE BIT OF VISUAL STIMULUS BUT THE STIMULUS IS IN THE SOUNDS AND IN THE WORDS, IT\u2019S IN THE SOUNDSCAPE. IT\u2019S MORE THAN WHAT WE THINK OF AS MUSIC\u2026.I DON\u2019T THINK I\u2019VE EVER EXPERIENCED SUCH A KALEIDOSCOPE OF IMAGES IN THE DARK.<\/em>“<\/p>\n\n\n\n

THEO DORGAN, POET \u2013 ARENA RTE RADIO 1, MAY 19 2016<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

We are committed to giving voice to the usually unheard by playing their stories alongside those from well known writers and artists. Contributors will be … <\/p>\n","protected":false},"author":1,"featured_media":109,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/inbetweensilence.ie\/index.php?rest_route=\/wp\/v2\/pages\/6","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/inbetweensilence.ie\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/inbetweensilence.ie\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/inbetweensilence.ie\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/inbetweensilence.ie\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6"}],"version-history":[{"count":17,"href":"https:\/\/inbetweensilence.ie\/index.php?rest_route=\/wp\/v2\/pages\/6\/revisions"}],"predecessor-version":[{"id":482,"href":"https:\/\/inbetweensilence.ie\/index.php?rest_route=\/wp\/v2\/pages\/6\/revisions\/482"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/inbetweensilence.ie\/index.php?rest_route=\/wp\/v2\/media\/109"}],"wp:attachment":[{"href":"https:\/\/inbetweensilence.ie\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}